"Thirty million surveillance cameras in the United States captured the imagination of a average American at least 200 times a day. "This is the launch of sentence, which sounds like a real public concern, the Look, the provocative film by Adam Rifkin, released in the U.S. on December 14, which revealed the dangers to privacy inherent in the increasingly frequent and intrusive authorized electronic voyeurism. Banks, roads, supermarkets, digital cameras and many other objectives are prepared to detect any movement, even in European cities, but in many American states, like Iowa, it also comes to excess, reports the filmmaker, often unknown to the victims themselves, such as recording all 'inside of changing rooms of clothes shops or in public toilets. Not to mention that in addition to flow under the eyes of people to safety, the actions of unwitting actors, often end up on the Internet.
ALL STARTS TO A FINE - The idea for the film came when the director has been fined for being passed with the red in the attached photo appeared while he was belting a song. So Rifkin has been made in search of the real places where his movie set and replaced the real security cameras with high-definition camcorders, however, able to shoot in a hidden. At this point, he staged his stories, entrusted to professional actors, a teacher who tries to be a good husband, the manager of a shop that uses the stock improperly, a lawyer struggling with a sexual problem, and two brothers who try to ruin the day of complete strangers. In an attempt to reflect the public about the constant threat which privacy is subject to, Rifkin has not given up the challenge to enter the film as extras for the people that if they were framed. And with an operation called a "guerrilla cinema", he shot many scenes, such as sex in the parking lot of a middle school, without telling anyone.
Source More newspaper
Pages Film
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