What Do I Need To Be Able To See My Hi8 Mp?

Contrada

Denise Milani Headscissors

Someone did not pay protection money ...

Then we complain of our home of the mafia, the ones burning the shutters, or at least make out a magistrate. These, however, send you directly from the 155mm shells.
We bet that as soon as the pop star launch an "aid program"?

PS: Should we not realize the parallelism and send cicciopazzo the cage, similar to the company by its ?

How To Congratulate Someone Expecting A Baby

The tenth round is scheduled

Friday 26, Saturday 27, Sunday November 28th hour 19:00 to 10:00 p.m.
Kollatino Underground
Via Sorel 10, Rome


ACADEMY OF ARTIFACTS
meets
ANDREA Porcheddu


The ninth meeting of Novo Reviewer:

One Day Three days
-show and conference Academy of the Artifacts Porcheddu
Andrea participates (in the days of 26 and 27)

In occasione di Novo Critico, Accademia degli Artefatti presenta una conferenza-spettacolo per rivedere e riflettere su “ONE DAY finalmente vivere servirà a qualcosa”, un’esperienza artistica e produttiva indimenticabile. Accademia degli Artefatti presenta Tre giorni per One Day venerdì 26, sabato 27, domenica 28 novembre nei locali del Kollatino Underground dalle ore 19.00 alle ore 22.00. Una conferenza-spettacolo dedicata al progetto produttivo di uno spettacolo di 24 ore che due anni fa non riuscì a debuttare a causa di problemi produttivi. Dopo due anni Novo Critico permette alla compagnia di portare a termine quello che il regista Fabrizio Arcuri definisce “l’elaborazione an artistic mourning "and set to recover and play again with the lyrics and the mood of the scene. A unique opportunity to understand that the show should have been and what a show it was not. The meeting will be coordinated by Andrea Porcheddu delteatro.it editor, and teacher Iuav in Venice. occasion will be presented the book "One Day - will finally live in something" Magdalena Barrel / Academy of the Artifacts published by Titivillus "Twenty-four hours between Bucharest and Tijuana listening to Kiss and reading Brecht, where every hour is marked by an event, public or private it is, thanks to Sophie Calle, Santiago Serra, Quingsong Wang, Cindy Sherman, actors and technicians who sleep monologues that are false and that Liz Taylor tells the story of a Romanian boy who was kidnapped and brought to Mexico to sell their organs. After a period of just spoken voices and grainy, with little more than empty spaces and game even before human actorial, very soon after hell and Crimp and Crouch, it seems the time to make more noise, to occupy more space and more disruptive to play again with the redundancy of reality but not escape. "[Fabrizio Arcuri]. ONE DAY presents itself as a place and a time to host the theater at a time when the theater struggling to be hosted. It is a show about how productive to show, on the way to show the sense not to. A show for the public, the public and the public. It is a show of exceptions, a pornographic performance, against pornography, against an exciting story with emotion, against the disturbance. ONE DAY is not an event, but it's a show about the event. It lasts four hours, has no beginning and no end: it is already started when the first spectator enters and ends only after they will last. The perfection lies in its durability. Refers to classical tragedy, epic, rather than the contemporary performativity. In its entire development blends the genres, they re-produce them parody rejects them. It 's a celebration, a chance meeting between spectacle and audience, both forced into each other - sometimes exhausting - understand. It is also a musical, but is ashamed of it. Eventually something will live is not just a subtitle: it is an indication of aesthetic and working together and making their sentencing the tendency of our years to play, film, photography, framing every event and place.

ACADEMY OF ARTIFACTS is formed in the nineties with the specific project to promote, organize and disseminate the theatrical culture. It produces numerous shows, performances and theatrical events and is guest in the most important Italian festivals and theatrical events. Vince Young, the Biennale of Rome in 1999 and 2000, the Palazzo delle Esposizioni in Rome dedicated an extensive retrospective of the work of the group. The last few years, marked by the encounter with contemporary English and drama with authors Sarah Kane, Martin Crimp, Mark Ravenhill and Tim Crouch, saw Academy of artifacts involved in concert tours throughout Italy. Especially with the last steps of the projects Dress Code: reality (Three Easy Pieces and attacks against her life of Martin Crimp), Ab-use (An Oak Tree by Tim Crouch and My arm) and shoot, and repeat the treasure of Mark Ravenhill. This dramatic turn has led the company to receive the prize Ubu 2005 for Three Easy Pieces and the Critics' Award 2010.

ANDREA Porcheddu is theater critic and journalist, member of the National Association of Theatre Critics and the International Theatre Critics Association, he has taught since 2002 "Methodology of criticism of the show" to "faculty arts and design" of Venice Iuav . He has taught "Animation Theater at the University of Calabria," Theory and Technique of pedagogical design "Silvio d'Amico Academy in Rome. He was editor of the bimonthly Theatre / Public, published by the Teatro Stabile of Turin until June 2007. He has worked with several national newspapers (Rai Radio3-Suite; RaiSat; RaiUno-stage, the sun 24 hours, The Unit, Stream Tv, Epolis; Dnews) and writes for delteatro.it. He has published several books, including "The Phantom of the critic to the theater" (Titivillus, 2010), The history and vision: sixty years of the National Academy of Dance (Gangemi, 2008); The false and true: the theater Arturo Cirillo (Titivillus, 2008), in Palermo: the scene of Emma Dante (Editrice Zona 2006), a new animation for theatrical (Publishing House Children's Theater, Torino, 2006), The Invention of Memory: the theater of Ascanio Celestini (The Constant Prince Editions, 2005), The companion Banquo: writings on theater and school (Fabio Croce Editore, 2002), Adriatic, a manual for a theatrical journey in the Balkans (Udine CSS Publishing, 2001), House of Alfieri, the earth and poetry (Titivillus, 2001), numerous essays, screenplays and novels of tragedy, to a lesser (Edizioni Fabio Croce, 2000) and tire me Loving you (Maschietto Editore, 2006). For RaiCinema is co-author of documentaries Antigone and the Empire (2008) and Italy of Our Discontent (2009). Directs the Festival Theatre of the Walls of Padua from 2006 to 2009, he conceived and directed the Festival "Looks-contemporary theater in the Veneto region and is a member of numerous juries for national and international field.

Free admission by reservation

info and reservations: tel begin_of_the_skype_highlighting 349 2834261 end_of_the_skype_highlighting
novocritico@gmail.com
novocritico.blogspot.com 349 2834261

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The focus should answer in words, if they say so many, few count, you need to choose carefully and be direct, by looking at the lessons of the past, literary and theatrical. In the first case, Dostoevsky, in the second the curtain raiser, where things are made directly and the public must be kidnapped by the actors, the moods of that, shaping their technique, capable of improvisation ed'una change of pace that makes a joke unique and successful. We have to work very, years and years, the neglect of official criticism and the run to the small genio di turno che esca vittorioso da un prestigioso premio teatrale devono muovere ad una ferrea e sarcastica critica, ma non abbattere, la scena finale del “Premio Dostoevskij”, dove chi organizza la manifestazione è anche colui che sarà premiato, parla da sé. Il lavoro del teatro è scelta di vita. Tutto questo vogliono comunicare Silvia Garbuggino e Gaetano Ventriglia quando nello spazio Kataklisma offrono un assaggio del loro modo di intendere il teatro e si intrattengono nel dibattito che ne consegue. Del grande scrittore russo tornano quasi sussurrate, come ipnotiche, aiutate dagli occhi magnetici dell’attrice, le parole del monologo finale di Alioscia, che ammutoliscono l’uditorio per la loro disarmante purezza, so far away from most of the cultural expressions of our time, with violence if they do not say, if you do not show the horror and ugliness as well as occurring on a daily basis, often start at a disadvantage. As if the fantasy when abstracted to talk about universal themes can resonate forever, all the time, meant to be out of their time. Yet we know that the humiliated and offended, and there always will be, the use of Dostoyevsky and on those bases his poetry is very indicative. Here is a funny sketch where he is held up as an idiot who is more intelligent than superb professorial tone and the respectful silence of the piece before you replace laughter to testify as well look si possa mantenere uno stesso significato pur con due registri diversi. In entrambi i frammenti presentati vi è uno stesso sottotesto, in entrambi la morte, gli interrogativi essenziali sulla vita e sul modo di viverla, su quel che avverrà dopo la fine sono il soggetto principale. Si parli del senso della vita, chiede più volte Ventriglia durante l’incontro col pubblico, la Garbuggino lo ascolta silenziosa con convinzione e, al vederli, si ha il pensiero che quando si è in due sia, dopotutto, possibile combattere per il proprio teatro, la propria vita. 

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's funny? Click and cry.