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there is something rotten in the Republic of Italy. What harm is there

Guilty, 9 years.
This is the request of PG the notorious prosecutor in Milan.
for defending himself, this is the unforgivable crime . For defending their lives and their property. Why
defense is a crime in Italy . Rape, steal, destroy a city, kill are not, or at least are crimes of Serie B. Defending
is serious, very serious indeed. Unforgivable.
Because there is already the police and the judiciary to defend the citizens? The police is not omnipotent nor omnipresent, and the judiciary has a curious conception of the principle of law enforcement and property . The medieval tyrants
forbade his subjects to bear arms and defend themselves for fear that these subjects could also defend against them. Today
Vavassori impose new, with supreme contempt of ridiculous prohibitions that now have the taste of ignorance, pure and simple, now the appalling stench of the abuse (remember the four cats that pass by here, that the potential for abuse can not and should not be grounds for denial of a right ).
And as the times were, these princes have their legions of servants, fools, their Sir Biss , so to speak.
are the ones who when you say "self defense" will overwhelm the distinctions of dubious morality and origin, spreading rain licenses "fascist." Of course, the ideological proximity (and functional) is self-evident. The principle of the rule of God, loved by the socialists of all hues, is horrified by the mere idea of \u200b\u200bcitizenship (in although different from "subject"), let alone a citizen who wants to defend ...

And please, do not get me furi the usual tale of the "Far West", worthy of those who know American history from spaghetti westerns, because the far-west of criminals on the loose and lynching as a social event (or vice versa ) you have created you.

Playmobil Small Castle Directions

fo '!

(Just out of curiosity, where are they now all those assholes beautiful souls who protested when Ronnie tried to make the skin crazy?)

How To Clean A Pressing Comb

The right man for the Palazzo Chigi

Unfortunately is not a joke. I expect the
Binetti education and will to health, both to understand under what conditions is the opposition.

Keep well to hurt you, comrades, both those who seize on the place we are still us. Even without
bunga-bunga.

Time It Takes The Spleen To Heal

"If not now ..."

So a million women, it is said, would be taken to the streets to difendedere their dignity. Well!
for the dignity of the new slaves forced onto the sidewalk to the sound of beatings and rapes? A demonstration of solidarity with the oppressed women fundamentalist regimes?
against the vile aggression against the rights of women in particular and all citizens in general, by fundamentalist Catholics?
against the horror of female? Against the abolition of child brides or babies?






No.


against Silvio Berlusconi ...


Go to hell now.

Pooping Alot During Pregnancy

domandina easy-easy

But these were not those of the "legality"?

Can I Wax If I Have Pityriasis Rosea?

CRITICAL UNIVERSITY OBSERVATORY - Tenth meeting

Tenth meeting - 26, 27, 28 November 2010

Novo Critical 2010. "Three days for One Day"

academy artifacts meets Andrea Porcheddu

333.7993661

Lo studio proposto dall’Accademia degli Artefatti al Kollatino Underground è ciò che rimane di un progetto da presentare al Roma Europa Festival nel 2008. Progetto fallito per abbandoni produttivi. Di questo abbandono lo studio presenta tutti i sintomi: anaffettività verso gli oggetti di scena, barbe incolte e volti solcati da profonde occhiaie. Si tratta di uno studio presentato a luci accese con copioni alla mano e attori che vanno e vengono dalla platea alla scena. La forma è subito convincente perché si presta in maniera efficace al contesto in cui viene proposta: l’Accademia degli Artefatti ci offre materiale nudo, ready to be dissected, studied and analyzed.
The study comes in the form of episodes. The first episode or woman-fish is crossed by the original reflections on the disruptive power of side vision and clear references to certain views of the film disturbing ani '70-'80: Haneke's Funny Games and Lynch's Lost Highway. In a sense, the oneiric, irreverent and disturbing the fragments mentioned in the first episode, is well suited to the mood of the study presented by the Academy of artifacts: the dialogue always degenerate into sit-com paradoxical, dotted with nonsense, losses of temporary memory, a reversal of roles. The game is attractive, in some ways funny, but somewhat constrained by the presence of long-winded and made scripts on stage: the actors reading expands the time of representation by creating empty spaces that the performers fill overloading the repertoire of gestural and expressive ornamentation, embellishments, modulations, up to create a perfect caricatures of themselves.
The second part of the study opens with the arrival of a disruptive actor naked from the waist down, an interesting pretext for investigating the dynamics of attention, which unfortunately slips into a more obvious game of double meanings on the small size of the State. Too bad.
The third episode or interrogation is very interesting due to the obvious capacità dei due attori che si muovono in sincronia perfetta lungo le traiettorie del testo: movimenti, toni, espressioni, tengono viva l’attenzione che altrimenti si perderebbe seguendo le linee confuse di un dialogo che procede a stento sul terreno scivoloso dell’assurdo.
L’ultimo episodio o dei pacchi, pur rievocando atmosfere beckettiane –i due protagonisti dell’episodio sembrano due moderni Vladimiro ed Estragone nell’attesa attuale di un significato che sfugge- non riesce a staccarsi dall’impianto teorico-demagogico sul concetto di libertà e  democrazia, lasciando inattuate le possibilità di una nuova clownerie di acrobazie del quotidiano.

Elena D'Angelo
Observatory critical Roma1