Seventh meeting - November 3, 2010
CRITICAL NOVO 2010 - "Study for an asylum"
Theatre madman meets Florinda Nardi
Theatre madman meets Florinda Nardi.
University of Tor Vergata, Classroom Moscati.
Two actors sit on the examining table.
Falls le barriere didattiche ci ritroviamo in un manicomio: sullo sfondo la figura di Carlo Angela, direttore della casa di cura torinese per malattie mentali “Villa Turina Amione”. E’ qui che durante la dittatura fascista Angela salvò, facendoli ricoverare e insegnando loro a simulare le condizioni dei “veri” malati mentali, un gran numero di antifascisti ed ebrei. I protagonisti sono Enrico - Dario Aggioli- fascista che soffre di autismo, e Ferruccio – Angelo Tantillo - ebreo che finge la follia per eludere le leggi razziali.
A risposta di una domanda non formulata,
Enrico si alza: sa ciò che deve cantare e sembra goderne.
Faccetta nera..bell’ abissina…
Aspetta e spera che già l’ora s’avvicina!
Godimento autistico e più che mai illusorio di chi si sente finalmente parte di un sistema.
Enrico ha bisogno della “maschera fascista” e sarà Ferruccio, l’ebreo,
a porgergliela come se fosse un gesto quotidiano, abituale.
Il frammento della nuova produzione di Teatro Forsennato viene presentato al pubblico due volte e interrotto da una discussione tra il regista-attore Dario Aggioli, e il suo compagno di scena. Tra la rappresentazione e la teoria del suo farsi non ci sono tempi morti. La seconda volta si notano il cambiamento e in alcuni casi, le migliorie. Siamo di fronte a un atto performativo meta teatrale molto più esaustivo delle subsequent discussions. Opening the debate are, however, clarified some points concerning the modus operandi of the company's use of a cloth authorial practice improvisation, the active inclusion of the viewer. E 'in the manifesto of Theatre madman intent to re-evaluate the unique and unrepeatable event spectacular, maintain the details of the contingent, the changing of the real gap. Interesting use of half-mask of the Commedia dell'arte as a study tool to be abandoned along the route. In this regard: the constant references to the Commedia suddenly necessary to nothing but a sterile categorization, appeared at times anachronistic. Despite the use of some familiar tools, the will of the company certainly does not seem to be that of a revival of the Commedia dell'Arte, but rather the recognition of a useful method to their work.
But what is the point of half-mask important to me? What
togliendosela, the plaintiff must finally understand that it is himself, his whole self, a mask.
At that point you become an actor, a true actor.
Leo de Berardinis-
Two actors sit on the examining table.
Falls le barriere didattiche ci ritroviamo in un manicomio: sullo sfondo la figura di Carlo Angela, direttore della casa di cura torinese per malattie mentali “Villa Turina Amione”. E’ qui che durante la dittatura fascista Angela salvò, facendoli ricoverare e insegnando loro a simulare le condizioni dei “veri” malati mentali, un gran numero di antifascisti ed ebrei. I protagonisti sono Enrico - Dario Aggioli- fascista che soffre di autismo, e Ferruccio – Angelo Tantillo - ebreo che finge la follia per eludere le leggi razziali.
A risposta di una domanda non formulata,
Enrico si alza: sa ciò che deve cantare e sembra goderne.
Faccetta nera..bell’ abissina…
Aspetta e spera che già l’ora s’avvicina!
Godimento autistico e più che mai illusorio di chi si sente finalmente parte di un sistema.
Enrico ha bisogno della “maschera fascista” e sarà Ferruccio, l’ebreo,
a porgergliela come se fosse un gesto quotidiano, abituale.
Il frammento della nuova produzione di Teatro Forsennato viene presentato al pubblico due volte e interrotto da una discussione tra il regista-attore Dario Aggioli, e il suo compagno di scena. Tra la rappresentazione e la teoria del suo farsi non ci sono tempi morti. La seconda volta si notano il cambiamento e in alcuni casi, le migliorie. Siamo di fronte a un atto performativo meta teatrale molto più esaustivo delle subsequent discussions. Opening the debate are, however, clarified some points concerning the modus operandi of the company's use of a cloth authorial practice improvisation, the active inclusion of the viewer. E 'in the manifesto of Theatre madman intent to re-evaluate the unique and unrepeatable event spectacular, maintain the details of the contingent, the changing of the real gap. Interesting use of half-mask of the Commedia dell'arte as a study tool to be abandoned along the route. In this regard: the constant references to the Commedia suddenly necessary to nothing but a sterile categorization, appeared at times anachronistic. Despite the use of some familiar tools, the will of the company certainly does not seem to be that of a revival of the Commedia dell'Arte, but rather the recognition of a useful method to their work.
But what is the point of half-mask important to me? What
togliendosela, the plaintiff must finally understand that it is himself, his whole self, a mask.
At that point you become an actor, a true actor.
Leo de Berardinis-
Francesca Bini
Observatory critical Roma2
TRITOLO & DYNAMITE
The Han said.
Maybe then well have done. What a terrible awakening
the interruption of a dream that we talked about as if it were truth. Han
silenced a small audience, it is true, but still respectable.
Maybe not but, my memory limps and focus very carefully and Dario Aggioli Angelo Tantillo (Teatro madman) the public have swallowed.
And then he had to serve long for saying what few have digested.
A jew who escapes death by the sight of the fate
in bygone
which called Aryan race and in front of a mirror
becomes excessive in his mind healthy and shiny
and immodest in another late
that already locked up where
singing "Long live our king!"
was convinced that the scheme is
the friend to obey.
I have said and then I have done.
"In our work, we chose to overcome psychologism."
"Stanislavsky's gone!"
This seems well established method with his inner
you raise the fervor for a
that act like you were talking.
Screwdriver impractical
so that you apathetic
makes the desire to explore
new walls to be drilled.
of the tools and the time
not disturb the poetic
that if the result is not fixed on
burden of something that is off. Attention dear audience
the news is not bitter but you
Bell'O is clear: Do not ignore
superar
indefinitely despite
grammar seasoned
rhymes with the word that is joined with the first of the three
the most conspicuous.
E 'fear that the answer misleading
a program that only sees the gallows
its ancient and hatched the plot that
alliscia
face and called the philosophy of a myth that the
Aggioli
replaced with proposals that do not shoot well hidden
history
but tried again.
At which point is the claim that what tired
v'arranca
fixed on the idea of \u200b\u200bbeing able to
if the jew and the insane (that style is not soft)
abbian
types built on the colors established by
'Freudian analysis
that her skirt is bell.
Outside the glass instead a chorus
that psychology is golden
while showing that sometimes
make himself good luck
that gives you an inheritance
four masks in the middle
that with the new van filled with TNT and dynamite
for something to try to overcome
but also in what they call intelligence of the actor under the cap
that the psyche is certain but
passed is the era of its discovery .
Maria Rita Di Bari
Observatory critical Roma2
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