Tuesday, January 11, 2011

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CRITICAL UNIVERSITY OBSERVATORY - Fifth meeting

Fifth meeting - October 29, 2010

CRITICAL NOVO 2010: "1st study to DIGERLSELZ"
Elvira Frost meets Massimo Marino




A CRIB DIGESTIBLE

what extent we should allow herself to the art of telling him to explain the legitimate concern of the author during the creation of their artistic side proves to be inadequate to take the trouble to dress up role of analyst and patient of himself at the same time. How much importance given to

posthumous words of a demiurge who until the previous time was busy domesticating wire to tape it back in rhythm is explained to anyone but the insistence (also more than lawful) or of a critical audience unless you have the need to fill incontinent notebooks with mental notes precise answers yearning preferably logical that they come with notes narrative of the person who gave you just got the best of what could have been.

Quanta subtraction suffers a symbol for all human yearning to give exhaustive explanations of warranty
, how many meals we usually give to the audio guides, captions, to Bugiardini, has denied Elvira Frosini in going with the multifaceted and uncertain as has traveled through the curious debate following the first study on "Digerseltz" showing and proving that the artwork is not in control and does not accept being forced to give an account of definitive interpretations.

Unanswered
for lobsters
advanced ear to proposals
spastic
of judgments in line with the drastic
numeretto
raving in the waiting room so to speak

play for the trouble
intervene with readings devoted to bad luck.

Ella,
ironic that it
and barons formed the substance could not dare
Pop
if the well to look for the cause or canonical

down in the rest of Santa Costanza.


slipped into shoes available, flexible and bold
raised by those corks
beautiful nails that have tamed them
to sit in the pack
chest hair removed the yellow tired.

asked who had the best view of what was

track of whether a character pink
od'un male choir gloss
intent on overthrowing
what women tend to do.

not a finished work of
messenging screen
but wanted to do in the making of a
that his plots had sewing
that of the audience MUST
loan in assembly of the Hellenic vision

but not d ' talk to an extension. She

voracious Minotaur
mouth drowning in the cast of twentysomethings

white powder that boast of majesty
squarterà to pieces. Food

a free ride at will
looks she is the satiety
that clings to the conviction of
cream puffs puffy

clerical collar that beats down the vice
of that apple now grayed
very distorted in a whimper. Everything is

tin
to swallow to the sound of Ta-ta eat is an art because

equal to a game of cards when it comes right man

away with the winner takes all and if men
no time
remove the nose by the fingers
is to account for the mirror
t'insulta that you're old.

And if you eat more?
Hush, Beelzebub comes
that if the child is picky
fear comes that the teeth of a vampire in the bone

not that much more indolent
is to tease her neck. What

the bridge and its border
between eating and the rest end
which instead is the deception in the
dell'onnivoro
of quaestor in charge
short that its belly filled and discharged.

how to provoke reaction
the dying breed that
s'ottenebra
swallowing and then do it without talking
Posar
feedback on the progress of his vice
to sing happy birthday at a party

blessed when toasted goat
this well-seasoned
by a Christian, honest invitation.
In a knee
Madonna
other times very modern

that she has crossed the border with the plebeians

and recalls the good of a dinner banquet

in common between the stomach and brain that
companions in a
ritrovan hostel you pay and satisfy
of life and its heartbreaks.

Here, a live nativity scene. Speaker. Bustling offices of spoiled.
Here, the mouth social mad, confused between the swallow images infused with lard and total abstention from food.
Here, the mouth where the wisdom teeth will no longer grow.
Here, the black sheep of the fence on the border of madness that can no longer dissolve in a Digerselz.
Maria Rita Di Bari
Observatory critical Roma2

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